It encapsulates the willingness and eagerness of taking someone to a place that has made you into the person you are, and the hopefulness that can come from all of it makes it one of the standout tracks. It’s steered by the lights that are the guitar and synth brazing together, as well as a later feature from Bruce Springsteen. While the album starts off with “91,” the first official releases to start the album’s era were “Chinatown” and “45.” “Chinatown” drives you right into the shadow that is New Jersey. Strings storm in through the song as a jarring alarm but serve as a note of curiosity and a glimmer of hope as the rest of the album unfolds.

Lyrics such as “I’m here, but I’ve been gone just a little too long now” is instilled into listeners, a reminder of being frozen in a moment in time where all sense of ourselves has been abandoned. Guided by strings, listeners are placed into an entrancing world full of heaviness that is oftentimes hard to escape when experiencing.

Vincent, catapults listeners into a familiar world in terms of the past. Starting the album, “91,” a song produced by Antonoff alongside Patrik Berger and St.

Wild heart lyrics bleachers meaning